Poster for Jawab (1942)

Hindi CINEMA · 1942

Jawab

শেষ উত্তর

1942-03-22128 min
ComedyDrama
THE STORY

Overview

Manoj is from the aristocratic class but has some sort retrograde amnesia; he belongs to the upper-class but is also an outsider, something that enables the possibilities of movement across the class-lines for him. This trope is essential for Barua to articulate the criticism of the indolent upper class in the film. Thus Manoj is both an object of criticism and ridicule while also being one of the critics.

MOVIE FACT SUMMARY

A closer look

Jawab (1942) is a Hindi-language Indian movie. Genres: Comedy, Drama. Directed by P.C. Barua. The cast includes Ratin Banerjee, P.C. Barua, Ahindra Choudhury, Kanan Devi. Runtime: 128 minutes.

Cast & crew

Portrait of P.C. Barua
P.C. BaruaDirector
Ratin BanerjeeBarin in the Bengali version
FOLLOW THE CONNECTIONS

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QUICK ANSWERS

Jawab FAQs

Answers from the movie information available in our catalogue.

What is the original language of Jawab?

Jawab is listed as a Hindi-language movie in our catalogue. Dubbed versions are not tracked here.

What release date is listed for Jawab?

Our source metadata lists 22 March 1942. Release dates can vary by country and may change; this does not confirm current cinema screenings.

Who directed Jawab?

The listed director is P.C. Barua.

Who is in the cast of Jawab?

The available cast credits include Ratin Banerjee, P.C. Barua, Ahindra Choudhury, Kanan Devi, Tulsi Chakraborty. See Cast & crew above for the available character names and profile links.

How long is Jawab?

The recorded runtime is 128 minutes. Different cuts or releases may have a different duration.

What type of movie is Jawab?

The source lists these genres: Comedy, Drama.

What is the original title of Jawab?

The original title in our source data is শেষ উত্তর. The English-letter display name may be a romanization.

What is Jawab about?

Manoj is from the aristocratic class but has some sort retrograde amnesia; he belongs to the upper-class but is also an outsider, something that enables the possibilities of movement across the class-lines for him. This trope is essential for Barua to articulate the criticism of the indolent upper class in the film. Thus Manoj is both an object of criticism and ridicule while also being one of the critics.