THE INDIAN CINEMA GUIDE
Bengali CINEMA · 2025
Scent of Nocturnal Flowers
ফুল গাড়ি
Overview
Phool Gari (Scent of Nocturnal Flowers) explores the quiet transformation of a liminal space beside Barasat railway station, shifting from a night flower market to a morning auto stand. As metro construction slowly encroaches, swallowing the space they call their own, the film follows the occupants’ rhythms, their delicate balance between labour and survival, and their struggle for legitimacy within a formal space.
A closer look
Scent of Nocturnal Flowers (2025) is a Bengali-language Indian movie. Directed by Anamoy Bera. The cast includes Nasir Hossain, Uday Banik, Madhabi Das, Gita Mondol. Runtime: 8 minutes.
Cast & crew
Scent of Nocturnal Flowers FAQs
Answers from the movie information available in our catalogue.
What is the original language of Scent of Nocturnal Flowers?
Scent of Nocturnal Flowers is listed as a Bengali-language movie in our catalogue. Dubbed versions are not tracked here.
What release date is listed for Scent of Nocturnal Flowers?
Our source metadata lists 31 October 2025. Release dates can vary by country and may change; this does not confirm current cinema screenings.
Who directed Scent of Nocturnal Flowers?
The listed director is Anamoy Bera.
Who is in the cast of Scent of Nocturnal Flowers?
The available cast credits include Nasir Hossain, Uday Banik, Madhabi Das, Gita Mondol. See Cast & crew above for the available character names and profile links.
How long is Scent of Nocturnal Flowers?
The recorded runtime is 8 minutes. Different cuts or releases may have a different duration.
What is the original title of Scent of Nocturnal Flowers?
The original title in our source data is ফুল গাড়ি. The English-letter display name may be a romanization.
What is Scent of Nocturnal Flowers about?
Phool Gari (Scent of Nocturnal Flowers) explores the quiet transformation of a liminal space beside Barasat railway station, shifting from a night flower market to a morning auto stand. As metro construction slowly encroaches, swallowing the space they call their own, the film follows the occupants’ rhythms, their delicate balance between labour and survival, and their struggle for legitimacy within a formal space.
