
Hindi CINEMA · 1967
Nai Roshni
Overview
The film is a social drama, with its plot around university professor Dr. Kumar (Ashok Kumar), who lives with his wife Padma (Bhanumati), his drunkard son Jyoti (Raaj Kumar), outgoing daughter Chitra (Tanuja) and his friend's daughter Rekha (Mala Sinha). Dr. Kumar and his wife have a different outlook towards life, with him preferring books and philosophy, while his wife Padma prefers social gatherings and society clubs. Padma never considered Jyoti her son, who works as a mill designer, a profession she considers too poor to acknowledge. Chitra is encouraged by her mother to mingle freely in high society, much to the disappointment of her worried father.
A closer look
Nai Roshni (1967) is a Hindi-language Indian movie. Genres: Drama, Family. Directed by C. V. Sridhar. The cast includes Ashok Kumar, Mala Sinha, Biswajeet Chatterjee, Raaj Kumar.
Cast & crew











Beyond Nai Roshni
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Nai Roshni FAQs
Answers from the movie information available in our catalogue.
What is the original language of Nai Roshni?
Nai Roshni is listed as a Hindi-language movie in our catalogue. Dubbed versions are not tracked here.
What release date is listed for Nai Roshni?
Our source metadata lists 1 January 1967. Release dates can vary by country and may change; this does not confirm current cinema screenings.
Who directed Nai Roshni?
The listed director is C. V. Sridhar.
Who is in the cast of Nai Roshni?
The available cast credits include Ashok Kumar, Mala Sinha, Biswajeet Chatterjee, Raaj Kumar, Bhanumathi. See Cast & crew above for the available character names and profile links.
What type of movie is Nai Roshni?
The source lists these genres: Drama, Family.
What is Nai Roshni about?
The film is a social drama, with its plot around university professor Dr. Kumar (Ashok Kumar), who lives with his wife Padma (Bhanumati), his drunkard son Jyoti (Raaj Kumar), outgoing daughter Chitra (Tanuja) and his friend's daughter Rekha (Mala Sinha). Dr. Kumar and his wife have a different outlook towards life, with him preferring books and philosophy, while his wife Padma prefers social gatherings and society clubs. Padma never considered Jyoti her son, who works as a mill designer, a profession she considers too poor to acknowledge. Chitra is encouraged by her mother to mingle freely in high society, much to the disappointment of her worried father.





