Backdrop for The Last Chapter (2019)
Poster for The Last Chapter (2019)

Hindi CINEMA · 2019

The Last Chapter

2019-09-1022 min
Drama

Audience rating

4.0/10

Source: TMDB2 votes

THE STORY

Overview

Even the cause of gender equality and women's emancipation can be fraught with severely problematic ideologies, as this film goes ahead to portray. Kay Kay Menon, an activist in the gender space, is about to be awarded the Padma Shri for all his work. The narrative progresses to reveal his saviour syndrome, among other extremely problematic views, further accentuating the irony between his public image and personal practice. However, as he sits down to write the final chapter of his book about women's rights, has his past finally caught up with him?

MOVIE FACT SUMMARY

A closer look

The Last Chapter (2019) is a Hindi-language Indian movie. Genres: Drama. Directed by Raj Singh Chaudhary. The cast includes Kay Kay Menon, Misthi Chakraborty. Runtime: 22 minutes.

Cast & crew

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QUICK ANSWERS

The Last Chapter FAQs

Answers from the movie information available in our catalogue.

What is the original language of The Last Chapter?

The Last Chapter is listed as a Hindi-language movie in our catalogue. Dubbed versions are not tracked here.

What release date is listed for The Last Chapter?

Our source metadata lists 10 September 2019. Release dates can vary by country and may change; this does not confirm current cinema screenings.

Who directed The Last Chapter?

The listed director is Raj Singh Chaudhary.

Who is in the cast of The Last Chapter?

The available cast credits include Kay Kay Menon, Misthi Chakraborty. See Cast & crew above for the available character names and profile links.

How long is The Last Chapter?

The recorded runtime is 22 minutes. Different cuts or releases may have a different duration.

What type of movie is The Last Chapter?

The source lists these genres: Drama.

What is The Last Chapter about?

Even the cause of gender equality and women's emancipation can be fraught with severely problematic ideologies, as this film goes ahead to portray. Kay Kay Menon, an activist in the gender space, is about to be awarded the Padma Shri for all his work. The narrative progresses to reveal his saviour syndrome, among other extremely problematic views, further accentuating the irony between his public image and personal practice. However, as he sits down to write the final chapter of his book about women's rights, has his past finally caught up with him?