THE INDIAN CINEMA GUIDE
Hindi CINEMA · 1967
37 Down Manmad Passenger
Overview
Sudhir - staying in a city without family roots - symbolizes the need for commitment in all young, sensitive and thinking individuals all over the world. The family is a fast-disintegrating social institution and Sudhir's Saturday night represents a true 'dolce vita' - without Fellini's irony, but sickly and sweet. The ridiculously elementary encounter with a mother prostitute as well as his final grandiose speech to the little runaway boy lose their power — and induce a facile fulfillment.
A closer look
37 Down Manmad Passenger (1967) is a Hindi-language Indian movie. Genres: Drama. Directed by Kumar Shahani. The cast includes Kalyan Chatterjee, Praveen Kumar, Shatrughan Sinha. Runtime: 15 minutes.
Cast & crew
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37 Down Manmad Passenger FAQs
Answers from the movie information available in our catalogue.
What is the original language of 37 Down Manmad Passenger?
37 Down Manmad Passenger is listed as a Hindi-language movie in our catalogue. Dubbed versions are not tracked here.
What release date is listed for 37 Down Manmad Passenger?
Our source metadata lists 13 April 1967. Release dates can vary by country and may change; this does not confirm current cinema screenings.
Who directed 37 Down Manmad Passenger?
The listed director is Kumar Shahani.
Who is in the cast of 37 Down Manmad Passenger?
The available cast credits include Kalyan Chatterjee, Praveen Kumar, Shatrughan Sinha. See Cast & crew above for the available character names and profile links.
How long is 37 Down Manmad Passenger?
The recorded runtime is 15 minutes. Different cuts or releases may have a different duration.
What type of movie is 37 Down Manmad Passenger?
The source lists these genres: Drama.
What is 37 Down Manmad Passenger about?
Sudhir - staying in a city without family roots - symbolizes the need for commitment in all young, sensitive and thinking individuals all over the world. The family is a fast-disintegrating social institution and Sudhir's Saturday night represents a true 'dolce vita' - without Fellini's irony, but sickly and sweet. The ridiculously elementary encounter with a mother prostitute as well as his final grandiose speech to the little runaway boy lose their power — and induce a facile fulfillment.
