THE INDIAN CINEMA GUIDE
Overview
A tearful melodrama about a progressive writer, Pushpa (Gohar), and her weak husband, Kulin (Billimoria). She has to fight her domineering mother-in-law and the tyrannies of a conservative household. When falsely accused of theft and infidelity by her wayward sister-in-law Gulab, Pushpa is forced out of the house. In her final state of penury, she recalls the examples of the great female Saint-Poets of Indian history, like Meerabai. Secondary characters are used to caricature Bombay's merchant class e.g. Mahatma Ramanand Adambar, a fortune-teller who suspects his wife of infidelity, and a gold collector called Prof. Pyarelal.
A closer look
Keemti Aansoo (1935) is a Hindi-language Indian movie. Directed by Chandulal Shah. The cast includes Gohar Jan, Eddie Billimoria, Ishwarlal, Khatun. Runtime: 154 minutes.
Cast & crew
Beyond Keemti Aansoo
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Keemti Aansoo FAQs
Answers from the movie information available in our catalogue.
What is the original language of Keemti Aansoo?
Keemti Aansoo is listed as a Hindi-language movie in our catalogue. Dubbed versions are not tracked here.
What release date is listed for Keemti Aansoo?
Our source metadata lists 6 December 1935. Release dates can vary by country and may change; this does not confirm current cinema screenings.
Who directed Keemti Aansoo?
The listed director is Chandulal Shah.
Who is in the cast of Keemti Aansoo?
The available cast credits include Gohar Jan, Eddie Billimoria, Ishwarlal, Khatun, Ram Apte. See Cast & crew above for the available character names and profile links.
How long is Keemti Aansoo?
The recorded runtime is 154 minutes. Different cuts or releases may have a different duration.
What is Keemti Aansoo about?
A tearful melodrama about a progressive writer, Pushpa (Gohar), and her weak husband, Kulin (Billimoria). She has to fight her domineering mother-in-law and the tyrannies of a conservative household. When falsely accused of theft and infidelity by her wayward sister-in-law Gulab, Pushpa is forced out of the house. In her final state of penury, she recalls the examples of the great female Saint-Poets of Indian history, like Meerabai. Secondary characters are used to caricature Bombay's merchant class e.g. Mahatma Ramanand Adambar, a fortune-teller who suspects his wife of infidelity, and a gold collector called Prof. Pyarelal.
